The majority of people in the world will never scuba dive, and sharing your underwater photographs is a great way to show them some of the exotic creatures that inhabit the sea. Whether in the Red Sea, oft the Yucatan or on the Great Barrier Reef, excited newbie divers straight from their ﬁrst open-water dives often ask experienced underwater photographers how best to get started taking pictures in this new environment. The advice they get is not always what they want to hear. It’s most likely to go something like this: “go away and do 200 dives and then come back and ask me again”. There is a good reason for this answer. Once you are completely relaxed in the underwater world and everything you do there becomes second nature then you may be ready for the underwater photography challenge. It's difficult because when you underwater the environment could be complicated than what you expect, greater depths dull your senses, make colours disappear, and it is not easy to ask ﬁsh or other water creature to follow your order totally.
Once you become committed to photography in the briny you will be tempted to start breaking the basic dive rules, such as:1. Holding your breath to get closer to ﬁsh because air bubbles spook them. 2. Running low on air because the best photo opportunities always seem to come at the very end of a dive. 3. Seeing an interesting photo subject below and then going to a greater depth than you ﬁrst intended.
Try not to break the rules and try not to break the coral (perfect buoyancy control with your BCD should keep you off the fragile coral reef).
Your ideal option is either a compact camera or a DSLR in an under water housing. One or better still two underwater ﬂash units will bring lost colours back to life. Seawaer carries many organisms which reduce visibility and make your pictures look hazy and as though snow is falling when you use flash. The best way to reduce this is to use an ultra wide lens (10.5 or 16mm ﬁsheye, 20 mm prime behind a dome port), get very close to your subject and mount your flashes on long ﬂexible arms so they side light rather than illuminate snow like particles in front of the lens. Because light falls away quickly underwater upward angled shots will give you nice light from the surface. Working on manual exposure, meter the surface ambient light ﬁrst and then aim a little flash, again using manual flash power settings, on to close objects in your foreground. TTL metering usually works well for macro when there is not much light in the background.
Each photo taken under water is precious and represents a unique experience, to give your photo a perfect visual effect, you need a quick photo retouch
Travel photographer are those who want to discover, shoot and experience with enthusiasm and some knowledge of photography. They know the way that light and shadows work, and of how a picture is composed, he or she will want to take a photograph that not only has a “wow” factor, but also one that reveals their personal interpretation of a view, that shows a place in a particular circumstance or light.
Each image will carry the weight of the photographers own integrity. These pictures will be part of a chapter in their lives that other people can look at and share and even, sometimes, admire. Our ability to take an inexhaustible number of pictures means that we can chart our experiences and adventures in detail, which build, episode by episode, into the tale of our whole life. This is photography as immortality, evidence that we have been not just to particular places, but that we have had an existence on the planet at all. Our lives can be visually documented from family occasions to the times that we were perhaps at our happiest: unknown, unencumbered, experiencing newness, just being out in the world, travelling. A well performed photo retouching is the best way to keep your travel experience last long.
Many travel photographers hope for lasting images of a dying world — of landscapes transmuting under climate change, of diminishing wildlife, changing cityscapes, anything that may not be here tomorrow. This is the traveller as witness, one of the photographer's most important roles. The story of a place.
Portrait photo is a main subject for photographers.It requires the ability to analyse people's face in order to capture the emotion. If you are interested in this area, where better to start experimenting with shooting portraits than with the faces you know most intimately, at home? Grandparents, the newly born... the material in the average household is enough to fill a life magazine photo essay.It is when one ventures out into the world that the challenge of attaining access to members of the public obliging enough to let you take their pho begins.
When you walk on the street and want to take some portrait photo, there are two ways of approaching strangers - stealth or request. If you are confident in yourself and of your camera comfortable with the lens and know how to handle natural light, then stealth isdefinitely preferable. After all, what draws you to a particular character can be something as fleeting as a look in their eye, or the increase of a face when it smiles.
The pioneers of journey photography consists of many creative scientists, dedicated archaeologists, romantic aesthetes, hardy adventurers, and fearless reporters intent on capturing new sights. The Lakes have extensive been renowned for their tranquil elegance. Even before the times of pictures, most educated Europeans had an concept of what they looked like from prints and paintings. Even so, when travelers frequented this sort of scenes of pleasure, they planned to seize them for them selves, to show their buddies at your home exactly what they had found. A visible impression was a necessary memento; irrefutable evidence to strengthen the travellers tales.
You may be acquainted together with the arts and experienced an idea of the way to draw and realize what designed a very good composition and will look at a look at and imagine it framed. In fact it was the Romantics in the prior century who had inspired the holidaymakers from the Lake District to deliver image frames with them to hold up to check out the landscapes: this was the ideal method to recognize the photography.
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Bring your camera and take amzing shot during travel will make you happy especially if you get lucky and shoot a colourful bird along the way - a brilliant bee-eater, a hoopoe among the pines, a macaw in a tropical canopy, or even more good capture. At best these area soft images, or distant blurs that need all the assistance from photo retouching on a computer later.
If you want to improve your skill on taking bird photos - especially you are travelling to an wild life national park, you should be well prepared on shooting concept, operation, and your cameras. Most of serious photographer will have a DSLR with a continuous focus mode. This continually changes the auto focus when you half press the shutter and it is very useful to follow a bird in flight, as is a high speed drive mode. A 400mm lense is the starting point for serious bird photograher, with an f stop as fast as you can afford. You should be able to push the shuuter speed up to ISO 1000 to freeze any movement. A monopod is a necessary part to keep the camera still - especially if you own a long lens. Dawn and dusk are when birds are at their most active, and many birds area invisble for the best part of the day.